YUAN LIN

  • Home
  • Residencies
    • LaPorte, USA
    • Gwangju, South Korea
    • La Gomera, Canary Islands
    • Korpo, Finland
    • East Haddam, USA
    • Skopje, North Macedonia
    • Marnay-sur-Seine, France
    • Zhujiajiao, China
    • Toffia, Italy
    • Pedvale, Latvia
    • Porto, Portugal
    • Torreles de Foix, Spain
    • Gorna Lipnitsa, Bulgaria
  • Projects
    • Outsider's Tour
    • A Forgettable Tour
    • Not Lost in Bremen
    • Bremer Romance
    • How to Campaign in Bremen
    • Translation Project
    • A Body of Work
    • Mockumentaries
    • The Overseers' Tour
    • Dual Life
    • Chart of Happiness
    • I see nothing but trees
    • Googly Eyes Project
    • WePod
    • Mensa Food Review
    • Lucky Vision Bro
    • Giving and Receiving
    • Manifesto
    • Conceptual Attempts
    • Ramp Address
    • Home for Home
    • A Study of Watercolor
  • Photography
    • Bremer Romance
    • How to Campaign in Bremen
    • 2022 Film Roll 34 - 41
    • 2021 Film Roll 26 - 33
    • 2020 Film Roll 5 - 25
    • 2019 Film Roll 1 - 4
  • Sound & Video
  • Fine Art
    • Sculpture
    • Printmaking
    • Drawing
    • Ceramics
  • Theatre
    • Scenic Painting
    • Design
    • Doodles
  • Graphic Design
  • About
  • Home
  • Residencies
    • LaPorte, USA
    • Gwangju, South Korea
    • La Gomera, Canary Islands
    • Korpo, Finland
    • East Haddam, USA
    • Skopje, North Macedonia
    • Marnay-sur-Seine, France
    • Zhujiajiao, China
    • Toffia, Italy
    • Pedvale, Latvia
    • Porto, Portugal
    • Torreles de Foix, Spain
    • Gorna Lipnitsa, Bulgaria
  • Projects
    • Outsider's Tour
    • A Forgettable Tour
    • Not Lost in Bremen
    • Bremer Romance
    • How to Campaign in Bremen
    • Translation Project
    • A Body of Work
    • Mockumentaries
    • The Overseers' Tour
    • Dual Life
    • Chart of Happiness
    • I see nothing but trees
    • Googly Eyes Project
    • WePod
    • Mensa Food Review
    • Lucky Vision Bro
    • Giving and Receiving
    • Manifesto
    • Conceptual Attempts
    • Ramp Address
    • Home for Home
    • A Study of Watercolor
  • Photography
    • Bremer Romance
    • How to Campaign in Bremen
    • 2022 Film Roll 34 - 41
    • 2021 Film Roll 26 - 33
    • 2020 Film Roll 5 - 25
    • 2019 Film Roll 1 - 4
  • Sound & Video
  • Fine Art
    • Sculpture
    • Printmaking
    • Drawing
    • Ceramics
  • Theatre
    • Scenic Painting
    • Design
    • Doodles
  • Graphic Design
  • About
Dual Life
Dual Life
2012 - 2019
I was switching lives between China and the U.S. as an international student for 6 years between 2012 and 2018. It happened a lot that while I was still digesting cultural shock, I had to get ready for the "reverse" cultural shock.

​In this project, I placed photos that I took in China on the left side, and those that I took in the U.S. on the right. When two fragments of memories are juxtaposed, my sense of time and space starts to blur.
 
Living in Shanghai, I think of my time in the U.S. a lot, more in the sense of hindsight than nostalgia. It seems that I tend to do the same things and make similar observations no matter where I go. But I don’t think I belong anywhere because I do not fully identify with either culture. Maybe I will find out my place in the world some day, but I think I enjoy being not there.
Picture
Picture
Picture
Picture
Picture
Picture
Picture
Picture
Picture
Picture
Picture
Picture
Picture
Picture
Picture
Picture
Picture
Picture
Picture
Picture
Picture
Picture
Picture
Picture
Picture
Picture
Picture
Picture
Picture
Picture
Picture
Picture
Picture
Picture
Picture
Picture
Picture
Picture
Picture
Picture
Picture
Picture
Picture
Picture
Picture
Picture
Picture
Picture
Picture
Picture
Picture
Picture
Picture
Picture
Picture
Picture
Picture
Picture
Picture
Picture
Picture
Picture
Picture
Picture
Picture
Picture
Picture
Picture
Picture
Picture