YUAN LIN

  • Home
  • Residencies
    • Skopje, North Macedonia
    • Marnay-sur-Seine, France
    • Zhujiajiao, China
    • Toffia, Italy
    • Pedvale, Latvia
    • Porto, Portugal
    • Torreles de Foix, Spain
    • Gorna Lipnitsa, Bulgaria
  • Projects
    • Not Lost in Bremen
    • Bremer Romance
    • Translation Project
    • A Body of Work
    • The Overseers' Tour
    • Mocumentaries
    • Dual Life
    • Chart of Happiness
    • I see nothing but trees
    • WePod
    • Giving and Receiving
    • Conceptual Attempts
    • Ramp Address
    • Home for Home
    • A Study of Watercolor
  • Photography
    • 2022
    • 2021
    • 2020
    • 2019
  • Sound & Video
  • Fine Art
    • Sculpture
    • Drawing
    • Printmaking
    • Ceramics
  • Theatre
    • Scenic Painting
    • Design
    • Doodles
  • Graphic Design
  • About
  • Home
  • Residencies
    • Skopje, North Macedonia
    • Marnay-sur-Seine, France
    • Zhujiajiao, China
    • Toffia, Italy
    • Pedvale, Latvia
    • Porto, Portugal
    • Torreles de Foix, Spain
    • Gorna Lipnitsa, Bulgaria
  • Projects
    • Not Lost in Bremen
    • Bremer Romance
    • Translation Project
    • A Body of Work
    • The Overseers' Tour
    • Mocumentaries
    • Dual Life
    • Chart of Happiness
    • I see nothing but trees
    • WePod
    • Giving and Receiving
    • Conceptual Attempts
    • Ramp Address
    • Home for Home
    • A Study of Watercolor
  • Photography
    • 2022
    • 2021
    • 2020
    • 2019
  • Sound & Video
  • Fine Art
    • Sculpture
    • Drawing
    • Printmaking
    • Ceramics
  • Theatre
    • Scenic Painting
    • Design
    • Doodles
  • Graphic Design
  • About
Projects
Not Lost in Bremen
Bremer Romance
The Translation Project
A BOdy of work
The Overseers' Tour
Mocumentaries
Dual Life
Chart of Happiness
I see nothing but trees
WePod
Giving and Receiving
Conceptual Attempts
Ramp Address
Home for Home
A Study of Watercolor