YUAN LIN

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    • A Study of Watercolor
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    • How to Campaign in Bremen
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    • 2021 Film Roll 26 - 33
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  • About
  • Home
  • Residencies
    • LaPorte, USA
    • Gwangju, South Korea
    • La Gomera, Canary Islands
    • Korpo, Finland
    • East Haddam, USA
    • Skopje, North Macedonia
    • Marnay-sur-Seine, France
    • Zhujiajiao, China
    • Toffia, Italy
    • Pedvale, Latvia
    • Porto, Portugal
    • Torreles de Foix, Spain
    • Gorna Lipnitsa, Bulgaria
  • Projects
    • Outsider's Tour
    • A Forgettable Tour
    • Not Lost in Bremen
    • Bremer Romance
    • How to Campaign in Bremen
    • Translation Project
    • A Body of Work
    • Mockumentaries
    • The Overseers' Tour
    • Dual Life
    • Chart of Happiness
    • I see nothing but trees
    • Googly Eyes Project
    • WePod
    • Mensa Food Review
    • Lucky Vision Bro
    • Giving and Receiving
    • Manifesto
    • Conceptual Attempts
    • Ramp Address
    • Home for Home
    • A Study of Watercolor
  • Photography
    • Bremer Romance
    • How to Campaign in Bremen
    • 2022 Film Roll 34 - 41
    • 2021 Film Roll 26 - 33
    • 2020 Film Roll 5 - 25
    • 2019 Film Roll 1 - 4
  • Sound & Video
  • Fine Art
    • Sculpture
    • Printmaking
    • Drawing
    • Ceramics
  • Theatre
    • Scenic Painting
    • Design
    • Doodles
  • Graphic Design
  • About

2022.8
Residency at Pedvāle Art Park, Abava River Valley, Latvia

I. Curiosity Cabinet
I took a lot of walks during my time in the countryside of west Latvia. During the walks, I would take pictures, sing, take a seat on a rock, read books, pick up and study objects that I find interesting on the way. The objects that I collected include:
​
-leftover wood pieces with worm holes
-animal (deer?) bone in the woods
-horse bone on the window sill of the owner’s work hut
-charcoal from the wood that we burned for the stone planting ceremony
-shoe sole from supposedly German troops who occupied the area
-gas can which used to be a Chinese almond milk can, painted over with black paint
-roof material from old manor house
-wreath on Japanese wood Jizo sculpture in the kitchen
-branch with fancy mosses
-feathers from local birds
​-brick for grinding stones
II. Sleigh Talk
I found an abandoned sleigh in a barn, fixed it, sat in it, read in it, talked with myself and made a video.
Script:

K: I had a dream last night. It was my grandpa’s place. My dad was there. He was very careful. But the room was old.
​G: So you saw something from 60 years ago.

K: Yeah.

Pause.

K: Where are we going?
G: To the other side.
K: Where are the horses?
G: They are dead.
K: Then how are we gonna get going?
G: By ourselves.
K: How?
G: You’ll see.

Pause.

K: What’s in there?
G: Raindrops.
K: Raindrops. How does it taste?
G: Raindrops.

Pause.

K: What are you sending?
G: Wishes.
K: Wishes. Where to?
G: To the bottom of the ocean.

Pause.

K: What time is it?
III. Stone Feast
During my time at the residency, the founder of Pedvale Art Park Ojars Feldbergs and his helpers worked daily on stone sculptures in the yard. I picked out pieces from the piles of chiseled stones on the ground and prepared a feast for the opening of the residency exhibition.
IV. Film Photography
V. Voice performance at opening
John Dowland, "Come Again, Sweet Love Doth Now Invite", 1597