YUAN LIN

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    • 2022 Film Roll 34 - 41
    • 2021 Film Roll 26 - 33
    • 2020 Film Roll 5 - 25
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  • About
  • Home
  • Residencies
    • La Gomera, Canary Islands
    • Korpo, Finland
    • East Haddam, USA
    • Skopje, North Macedonia
    • Marnay-sur-Seine, France
    • Zhujiajiao, China
    • Toffia, Italy
    • Pedvale, Latvia
    • Porto, Portugal
    • Torreles de Foix, Spain
    • Gorna Lipnitsa, Bulgaria
  • Projects
    • Outsider's Tour
    • A Forgettable Tour
    • Not Lost in Bremen
    • Bremer Romance
    • How to Campaign in Bremen
    • Translation Project
    • A Body of Work
    • Mockumentaries
    • The Overseers' Tour
    • Dual Life
    • Chart of Happiness
    • I see nothing but trees
    • Googly Eyes Project
    • WePod
    • Mensa Food Review
    • Lucky Vision Bro
    • Giving and Receiving
    • Manifesto
    • Conceptual Attempts
    • Ramp Address
    • Home for Home
    • A Study of Watercolor
  • Photography
    • Bremer Romance
    • How to Campaign in Bremen
    • 2022 Film Roll 34 - 41
    • 2021 Film Roll 26 - 33
    • 2020 Film Roll 5 - 25
    • 2019 Film Roll 1 - 4
  • Sound & Video
  • Fine Art
    • Sculpture
    • Printmaking
    • Drawing
    • Ceramics
  • Theatre
    • Scenic Painting
    • Design
    • Doodles
  • Graphic Design
  • About

2022.7
Residency at De Liceiras 18 in Porto, Portugal

I. Room
In this residency everybody had a bedroom that was also (supposedly) their studio. In my room, I did approximately:
30% Sleeping
10% Listening to seagulls and construction
10% Making ink drawings of the house

10% Drying clothes with Hyewon (artist at the residency)
10% Videochatting with friends and family
5% Staring at shadows on the wall and taking photos
5% Looking at phone
​5% Working on the computer
5% Preparing for the open studio
5% Drinking coffee and snacking
2% Booking flights
2% Singing
1% Crying
I was fascinated by the shadows on the wall in my room at different times of the day. I first tried to trace them, but then realized adding frames better conveyed the inability to capture fleeting time.
II. The Wacky Tour
I was introduced to Guruwalk by a fellow resident and attended three tours while I was in Portugal. On the day of the open studio, I became a tour guide as well and introduced the visitors to the house - a semi-typical house in the center of Porto, roof falling, floors tilting, gas running out. And also, shower with flashlight!

​At the beginning of the tour, I handed out a flyer, on the back side of which was also a room plan.
III. A spontaneous music piece
One day I got a hanging piece from a second-hand furniture shop in Porto and Google-translated the text into English. The next day Michal (artist from the residency) connected me with Francisco who plays the Portuguese guitar. And it started to connect - why not chant the text with the guitar? That was my first improvisation with voice.